The Godfather Part 3 Ending Explained: Why does Michael lie to Kay at the end of The Godfather?

The Godfather Part III is a 1990 American crime thriller film shaped and absorbed by Francis Ford Coppola from the screenplay co-printed with Mario Puzo. The film co-stars Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, and Sofia Coppola. It is the third and ending installment in The Godfather trilogy.

A consequence of The Godfather (1972) and The Godfather Part II (1974), it accomplishes the imaginary story of Michael Corleone, the paterfamilias of the Corleone family who efforts to legitimize his criminal empire.

The film was disseminated by Paramount, which also shared the earlier two films. It premiered in Beverly Hills on December 20, 1990, and was unconfined in the United States on Christmas Day, December 25.

It made $136.8 million and was designated for seven Academy Awards, including Best Picture. In December 2020, a recut version of the film, patrician The Godfather Coda: The Death of Michael Corleone, was unconfined to coincide with the 30th anniversary of the innovative version. It has MAJOR SPOILERS.

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The Godfather Part 3 Recap

The Godfather Part 3 Recap
The Godfather Part 3 Recap

In 1979, Michael Corleone was impending 60. Wracked with guilt over his callous rise to power, particularly for having well-ordered his brother Fredo Corleone’s murder, he contributes millions to charitable causes. Michael and Kay are separated; their children, Anthony and Mary, live with Kay.

At the greeting following a papal order induction ceremony in St. Patrick’s Old Cathedral in Michael’s honor, Anthony expresses to his father that he is leave-taking law school to become an opera singer. Kay chains his decision, but Michael wants Anthony to comprehensive his law degree first; nevertheless, Michael approves of letting Anthony go his own way. Michael and Kay have a nervous reunion when Kay discloses that she and Anthony know the truth about Fredo’s death.

Vincent Mancini, the unlawful son of Michael’s long-dead brother Sonny Corleone, reaches the reception. Michael’s sister, Connie Corleone, positions Vincent to settle a disagreement with his rival, Joey Zasa. Still, Zasa calls Vincent a bastard, and Vincent bites Zasa’s ear. Michael, concerned by Vincent’s fiery temper yet awestruck by his loyalty, agrees to comprise Vincent in the family business.

Don Altobello, a New York Mafia boss and Connie’s godfather, expresses to Michael that his associates on The Commission want in on the Immobiliare contract. Michael wages them from the sale of his Las Vegas properties. Zasa accepts nothing and, announcing Michael, his enemy, storms out. Don Altobello, assuring Michael that he can tactfully resolve the matter, shrubberies to speak to Zasa.

Seconds later, a helicopter drifts outside the conference room and opens fire. Most bosses are killed, but Michael, Vincent, and Michael’s bodyguard, Al Neri, escape. Michael comprehends that Altobello is the traitor and agonizes a diabetic stroke. As Michael convalesces, Vincent and Mary begin a romance, while Neri and Connie authorize Vincent to retaliate against Zasa.

During a street festival, Vincent kills Zasa. Michael criticizes Vincent for his actions and insists that Vincent end his connexion with Mary because they are first companions and because Vincent is in organized crime.

The family thanks Sicily for Anthony’s operatic entrance in Palermo at the Teatro Massimo. Michael tells Vincent to make a belief in defecting from the Corleone family in command to spy on Altobello. Altobello familiarises Vincent to Licio Lucchesi, Immobiliare’s chairman. Michael appointments Cardinal Lamberto, expected there the next pope, to deliberate the deal. Lamberto encourages Michael to make his first admission in 30 years, during which Michael,

At the opera house, three of Vincent’s men explore for Mosca throughout Anthony’s performance, but he overwhelms them. After the show, on the opera house steps, as they leave, Mosca shoots at Michael, acerbic him; a second bullet hits Mary, killing her. Vincent sprouts and kills Mosca. Michael supports Mary’s body and screeches in anguish; the scene disappears into a tableau of Michael dancing with Mary, his first wife, Apollonia, and Kay.

Years advanced, an elderly Michael, sedentary alone on the patio of Don Tommasino’s villa, smashes over in his chair and falls lifeless to the last.

Why does Michael lie to Kay at the end of The Godfather?

Why does Michael lie to Kay at the end of The Godfather?
Why does Michael lie to Kay at the end of The Godfather?

At the very conclusion of the movie, Michael dishonesties to his wife, Kay, about consuming Carlo killed. This demonstrates that he’s set his course: she won’t be intelligent enough to be part of his physical world. She will be shut out from near-sighted, his actual, callous nature in action.

You can watch it on Netflix.

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